DB Hall of Fame

SOLO  FLIGHT

THE  CHARLIE  CHRISTIAN  LEGACY

DB Hall of Fame


 

Special Edition  (full tablature score without the solos)
 
SHIVERS
 
< 1939 composite >
 

 
  32  BARS    (AABA) Key of   A Quarter Note =   190 Time:   2:48
 
 
  4-Bar Intro  +  4  CHORUSES:
 
    4  bars  –  CC (Intro)
 
  16  bars  –  CC & ens (Theme Riffs)
      8  bars  –  clarinet
    8  bars  –  CC & ens (Theme Riffs)
 
  16  bars  –  vibes (over CC & clt riffs)
      8  bars  –  vibes
    8  bars  –  vibes (over CC & clt riffs)
 
    16  bars  –  CC  
      8  bars  –  clarinet
      8  bars  –  CC  
 
  16  bars  –  CC chord riffs (over ens Theme Riffs)
    8  bars  –  CC chord accents
    8  bars  –  CC chord riffs (over ens Theme Riffs)
 
 

 
Personnel:
 
  Benny Goodman Sextet
  CHARLIE CHRISTIAN Guitar
  BENNY GOODMAN clarinet
  LIONEL HAMPTON vibes
  JOHNNY GUARNIERI piano
  ARTIE BERNSTEIN bass
  NICK FATOOL drums
 
 
 

Composed by: Charlie Christian - Lionel Hampton
 
©   VALDÉS   11/11/2020


 

Composite Score:

Intro & Theme – Guitar (with ensemble)

Guitar Riffs behind Vibes Solo

Out-Chorus Guitar Riffs  (over ensemble theme)

 


 

Audio

  Complete Take  –  November 4, 1939

 



C&A:

Shivers
A Charlie Christian - Lionel Hampton composition

Charlie Christian plays the four-bar introduction with double-stop accents (bending the lower note), then riffs on the theme chorus and plays riffs behind the vibes solo chorus before going from these riffs into his solo.  Charles follows his solo with beautifully executed double-stop riffs (dressed-up versions of the intro, again bending lower notes to make the two-note chords scream with excitement) over the out-chorus theme.  Marvelously done.

Parenthetically:  The intro, theme, plus a dozen more measures of this version of Shivers was used on the soundtrack of the October 2001 movie “Focus” starring Wm H Macy and Laura Dern.  In a 1944 anti-Semitic Brooklyn neighborhood, the milquetoast main character, Larry, is going out to water his overbearing, widowed mother’s lawn as we hear a fade-in of Charlie Christian’s guitar intro.  About 22 minutes into the film, the segment leads to an intensely poignant moment.  Stunningly unexpected and refreshing in a rather somber plot based on an excellent novel by Arthur Miller.

 



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