DB Hall of Fame

SOLO  FLIGHT

THE  CHARLIE  CHRISTIAN  LEGACY

DB Hall of Fame


 

 

SOLO FLIGHT
(CHONK, CHARLIE, CHONK)
 
Aircheck
 
JUNE  1941 “MONTE PROSER DANCE CARNIVAL”
MADISON SQUARE GARDEN,  NYC
Mutual Radio Network
 

 
  16-BAR  SECTIONS Key of   C / F Quarter Note =   182 Time:   2:40
 
  16-Bar Form:
  Section  A: Key of  C  –  16 bars   (AABC)
  Section  B: Key of  F  –  16 bars   (AABA)
 
 
  8-Bar Intro  +   7  SECTIONS    [AAABABA]   +   2-Bar Coda:
 
      6  bars  –  orchestra Intro
    2  bars  –  CC Intro    (unaccomp)
 
  16  bars  –  CC [sec A]
 
  16  bars  –  CC [sec A]
 
  16  bars  –  CC [sec A]
 
  16  bars  –  CC [sec B]
 
    8  bars  –  CC
    4  bars  –  orchestra [sec A]
    4  bars  –  CC
 
  16  bars  –  clarinet [sec B]
 
    8  bars  –  CC
    4  bars  –  orchestra [sec A]
    4  bars  –  CC (break)
 
    2  bars  –  orchestra Coda
 
 

 
Personnel:
 
  Benny Goodman and his Orchestra
  CHARLIE CHRISTIAN Guitar
  LES ROBINSON alto sax
  GENE KINSEY alto sax
  GEORGIE AULD tenor sax
  PETE MONDELLO tenor sax
  SKIP MARTIN baritone sax
  BENNY GOODMAN clarinet
  COOTIE WILLIAMS trumpet
  BILLY BUTTERFIELD trumpet
  CHRIS GRIFFIN trumpet
  IRVING GOODMAN trumpet
  LOU McGARITY trombone
  CUTTY CUTSHALL trombone
  TEDDY WILSON piano
  WALTER IOOSS bass
  JO JONES drums
 
  Arranged by  JIMMY MUNDY
 

Composed by: Charlie Christian - Jimmy Mundy
 
©   VALDÉS   8/24/17


 

  First Page: Intro  
       
  Second Page: Section I [A]
       
  Third Page: Section II [A]
       
  Fourth Page: Section III [A]
       
  Fifth Page: Section IV [B]
       
  Sixth Page: Section V & VI [A/B]
       
  Seventh Page: Section VII [A]

 



C&A:

This version of Charlie Christian’s Solo Flight guitar concerto may have been the very last time one of Charles’ solos were ever recorded.  The exact date of this broadcast is unknown – a recording of Rose Room from June 6 and a Stompin’ at the Savoy from sometime in the same month are the only other candidates for the distinction of last recording.  All three are from “Monte Proser Dance Carnival” broadcasts, the only gig that followed the “Minton/Monroe” sessions.

The same format of the two studio takes is retained here.  Charles was a bit more adventurous in several places on this last version;  in a few other parts some of the phrases have become routine with only minor variation.  It’s not known who did the actual recording but the broadcast was not recorded with much fidelity – it came from Boris Rose’s collection.

As on the other aircheck of the concerto, a simplified orchestral interpretation is included in the transcription.

   Listen to the aircheck
           
(less clt solo)


 
Issued Recordings:
 
  [LP] Beppo BE-KOG 14800 (side A, track 1)
    Festival ALB 377 (side D, track 8)
    Jazz Anthology JA 5181 (side B, track 8)
    Jazz Archives JA-23 (side B, track 8)
 
  [CD] Archives of Jazz 380123 2 (track 16)
    Archives of Jazz 389123 2 (track 16)
    Definitive DRCD11177 (disc 4, track 14)
    Definitive DRCD11386 (track 18)
    Frémeaux FA 218 (disc 2, track 14)
    Fuel 2000 302 061 755 2 (track 14)
    Galaxy 389944 2 (track 16)
    Jazz Classics JZCL-5005 (disc 1, track 24)
    JSP JSP909 (disc 4, track 14)
    Masters of Jazz MJCD 75 (track 18)
    Membran     * 222777 (disc 3, track 23)
    Membran     * 222800 (set 21, disc 3, track 23)
    Membran     * 233423 (disc 14, track 23)
    Music Memoria 87998 2 (disc 2, track 19)
    Phoenix 131606 (track 18)
    Proper P1492 (track 19)
    Proper PROPERBOX 98 (disc 4, track 19)
    Stardust CLP-1150-2 (track 15)
    Vintage Jazz Classics VJC-1021-2 (track 24)
 
    *     Membran releases list an incorrect date and location.
 

 



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