June 4, 1940
Tuesday |
PEACOCK COURT |
Mutual / Don Lee Broadcasting Systems |
|
16 BARS (ABCA) |
Key of |
|
Fm |
Quarter Note = |
|
146 |
Time: |
|
3:35 |
MC
summons Goodman.
Goodman:: “The sextet is going to play one of our new opuses we decided to call
Six Appeal.
Charlie Christian, take it away…” |
|
4-Bar Intro +
8 CHORUSES: |
|
• |
2 bars
– CC |
(chord Intro) |
|
|
• |
2 bars
– CC & ens |
(chord Intro) |
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|
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16 bars
clarinet |
(Theme) |
(over vib counterpoint) |
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16 bars
clarinet |
|
(over vib obbl) |
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• |
8 bars
CC & ens |
(riffs) |
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|
• |
4 bars
CC & ens |
(cadenza) |
|
|
• |
8 bars
CC & ens |
(roulade) |
|
|
• |
4 bars
CC & ens |
(cadenza) |
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|
|
2 bars
ens |
(coda interlude) |
|
|
• |
4 bars
CC & ens |
(coda) |
(chords as on Intro) |
MC introduces sextet:
…Charlie Christian at the guitar… |
Composed by: |
Charlie Christian - Benny Goodman |
C&A:
This is the first time the sextet recorded the minor mode Six
Appeal. There would be eight more versions documented but the intros
are all the same and Charlie Christian gets only 16 bars for his solo (as do
the other soloists). His solo here establishes the general form of his solos
on Six Appeal: first eight bars are played on the lower frets, on the last
eight bars he moves to the higher register.
Charles’ solo is fairly standard CC working in a minor key – and it is
beautifully executed. On the four-bar bridge (aka cadenza) one can hear him
developing what would be the bridge for all subsequent solos on this tune.
The next four bars already contain what would be used to conclude, almost
identically, his solos in all the versions that would follow.
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[ LP ] |
Aircheck |
16 |
(side B, track 4) |
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Golden Era |
LP-15077 |
(side A, track 6) |
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[ CD ] |
Definitive |
DRCD11177 |
(disc 3, track 3) |
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|
Jazz Unlimited |
JUCD 2041 |
(track 10) |
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Joyce |
JRCDRG-1015 |
(track 17) |
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JSP Records |
JSP909 |
(disc 3, track 3) |
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Masters of Jazz |
MJCD 40 |
(track 20) |
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Masters of Jazz |
MJCD 9004 |
(disc 3, track 20) |
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Mr. Music |
MMCD-7040 |
(track 19) |
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Norma |
NOCD5657 |
(track 10) |
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Proper |
PROPERBOX 98 |
(disc 3, track 20) |
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