DB Hall of Fame

SOLO  FLIGHT

THE  CHARLIE  CHRISTIAN  LEGACY

DB Hall of Fame


 

 

FLYING HOME
 
Aircheck
 
MARCH  10,  1941     Monday “WHAT’S NEW? – THE OLD GOLD SHOW”
NBC Radio Network / WJZ,  NYC
 

 
  32  BARS    (AABA) Key of   E Quarter Note =   164 Time:   3:13
 
 
  4-Bar Intro  +  4  CHORUSES:
 
      4  bars  –  piano (Intro)
 
    16  bars  –  CC & ens (Theme)
      8  bars  –  clarinet
      8  bars  –  CC & ens (Theme)
 
  32  bars  –  CC (over ens riffs)
 
    16  bars  –  trumpet (over CC chord accents)
      8  bars  –  tenor sax (over CC & ens riffs)
      8  bars  –  trumpet (over CC chord accents)
 
    16  bars  –  CC & ens (Riffs)
      8  bars  –  drums  
      8  bars  –  CC & ens (Riffs)
 
 

 
Personnel:
 
  Benny Goodman and his Sextet  
  CHARLIE CHRISTIAN Guitar
  GEORGIE AULD tenor sax
  BENNY GOODMAN clarinet
  COOTIE WILLIAMS trumpet
  JOHNNY GUARNIERI piano
  ARTIE BERNSTEIN bass
  GENE KRUPA drums
 
 

Composed by: Charlie Christian - Leslie Sheffield - Lionel Hampton
 
©   VALDÉS   6/19/18


 

Transcription Page:     Flying Home  —  10 March 1941

 



C&A:

Flying Home is featured once more on the weekly Lorillard Tobacco-sponsored radio show.  This time not under the best of circumstances with showman-drummer Gene Krupa guesting in lieu of our talented Dave Tough.

On the 10 Feb 41 radio show, Charlie Christian started his solo somewhat as on the master studio date;  here on 10 March – he almost duplicates the first A-section of the 10 Feb session.  Still charming, though, in the whimsical variations in details – note especially mm 2 and 3.  Another similarity is that both solos have the ensemble playing the same riffs behind Charles – not so on any other versions.

The bridge:  Charles extends the E♭7 two beats into the A♭Maj – quite unusual.  (The vista across mm 18-19 is quite nebulous, however.)  Then he starts the F7 two beats early – this is not unusual – cutting the A♭Maj segment in half, making it only four beats in duration rather than two measures.  Nice slide starts the F7 going up to the higher frets.  The B♭7 emerges 2½ beats early after his F7 statement.  Engaging bridge, with a bland resolution.

His solo seems enthusiastic enough here but it’s not as creative as on the others and lacks some of the customary rhythmic subtleties.  It’s certainly a CC solo but not the best of the Flying Home lot.  Actually, the entire ensemble is a somewhat subdued…with Charles coasting a little bit too much with repeated double-stops in his solo.  Must have felt the absence of Dave’s drive.

 



 
Issued Recordings:
 
  [LP] Festival ALB 377 (side D, track 3)
    Jazz Anthology JA 5181 (side B, track 3)
    Jazz Archives JA-23 (side B, track 3)
 
  [CD] Definitive DRCD11177 (disc 3, track 18)
    Definitive DRCD11386 (track 12)
    Fuel 2000 302 061 755 2 (track 19)
    Jazz Classics JZCL-5005 (disc 1, track 20)
    JSP JSP909 (disc 3, track 18)
    Masters of Jazz MJCD 74 (track 9)
    Music Memoria 87998 2 (disc 2, track 9)
    Phoenix 131606 (track 12)
    Proper P1492 (track 8)
    Proper PROPERBOX 98 (disc 4, track 8)
    Vintage Jazz Classics VJC-1021-2 (track 20)
 
  Fragmented:
  These releases place the last ten bars at the beginning of the following track
  [CD] Archives of Jazz 380123 2 (tracks 11-12)
    Archives of Jazz 389123 2 (tracks 11-12)
    Galaxy 389944 2 (tracks 11-12)
 
  Incomplete:
  This release omits the last ten bars
  [CD] Stardust CLP 1150-2 (track 11)
 

 



Home ] Up ]

 

 


This Web site is designed and managed by

LEOVALDES

soloflight.cc

 

Copyright © LeoValdes 1998

All text and images in this site protected by copyright laws.
No text or images (including transcriptions) may be copied, reused, or altered without written permission from the owner of this site.