FEBRUARY 10, 1941
Monday |
WHATS NEW? THE OLD GOLD SHOW |
NBC Radio Network / WJZ, NYC |
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32 BARS (AABA) |
Key of |
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E♭ |
Quarter Note = |
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148 |
Time: |
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3:33 |
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1-Bar Intro + 4
CHORUSES: |
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16 bars
CC & ens |
(Theme) |
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8 bars
CC & ens |
(Theme) |
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♪ |
32 bars
CC |
(over ens riffs) |
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16 bars xylophone |
(over CC chord
accents & ens riffs) |
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8 bars tenor sax |
(over CC & ens riffs) |
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8 bars xylophone |
(over CC chord
accents & ens riffs) |
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16 bars
orchestra |
(Riffs over xylo & tpt) |
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8 bars
xylophone |
(with rhythm sec, CC chord
accents) |
|
|
8 bars
orchestra |
(Riffs over xylo & tpt) |
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+ Goodman Orchestra on final chorus: |
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BILLY BUTTERFIELD |
trumpet |
Composed by: |
Charlie Christian -
Leslie Sheffield - Lionel Hampton |
C&A:
The band begins a three month radio stint for another cigarette sponsor
on this 10 February 1941. It was broadcast every Monday on WJZ until 5 May
1941. On this particular show the sextet is joined by special guest Red
Norvo on xylophone.
Charlie Christian has the intro to himself on this version of Flying
Home. Another unusual feature for this version is the addition of
the full orchestra on the last chorus. Most importantly, though, is the
presence of the drummer par excellence Dave Tough who had just rejoined the
band the previous month and was on his first recorded appearance with the
sextet. Upon his return (Tough had previously been with the band pre-CC), he
immediately gave the sextet an tremendous rhythmic boost which was evidently
much appreciated by Charles.
This was the first recording available on this tune by the sextet in a
little over a year and it’s taken at a more relaxed pace – slowest version
of all. Charlie Christian begins his solo not as he does on most other
versions but in a manner vaguely reminiscent of his solo on the master
studio take and goes on with a very swingin’ solo which he intensifies with
triplets on the F7 of the bridge, another unique feature of this edition of
Flying Home.
Before Charles gets to the bridge, he sets it up perfectly on the previous
five bars with two discriminative runs (mm 12-16). Two
B♮s (♯5 of the
E♭7) are perfect links to the following
A♭Maj sequence. Then come those
exquisite triplets. The B♭7 phrase consummately caps off the wonderfully
composed bridge solo before he riffs into the final A-section of his chorus.
There are no CC riffs on the final chorus as the band takes the A-sections –
Charles can be heard on that bridge with a few chord accents including some
Shivers-mode, lower-note bends.
This is the only tablature published for this specific rendition of Flying
Home – no doubt any forthcoming tabs will show the four beats evenly
traversing mm 17-18 to be only on frets 6
& 8.
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[ LP ] |
Från Staterna |
Från Staterna |
(side A, track 4) |
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[ CD ] |
Definitive |
DRCD11177 |
(disc 3, track 12) |
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JSP Records |
JSP909 |
(disc 3, track 12) |
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Masters of Jazz |
MJCD 75 |
(track 7) |
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Proper |
PROPERBOX 98 |
(disc 4, track 4) |
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|
Suisa |
JZCD 379 |
(track 14) |
|
Incorrect date of April 14, 1941 appears on some releases. |
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